Because we’re all more than just snapshots in a 24 hour period…
Here’s how a 24 Hour photo project in “Documenting Humanity to Make a Difference” sent us scavenging throughout New York City for the photos and stories of people, places, and things that, in turn, would change our own lives in one day.
I’ve never done anything for 24 hours straight…so when I first heard about the 24 Hour Project it sounded like a superhuman feat.
It is a day when photographers, photojournalists, and visual storytellers from every country around the world gather to document humanity and share photos on social media to help bring awareness to global issues and empower non-profit organizations in position to help those in need — all of it in real time during a 24 hour period.
The global theme this year was “Documenting Humanity” with a focus on women’s stories. This year’s charitable contributions would aid in expanding the following women’s programs:
Atena: Tehran, Iran — Provides a safe house for women who are victims of domestic violence and empowers them through educational programs.
GES Mujer: Oaxaca, Mexico — Provides free psychological support to women who have suffered violent acts.
Sacred Valley Health: Peru — Provides quality health care services to indigenous women in the underserved rural communities of Peru.
She Has Hope: Kampala, Uganda — Provides empowerment programs for survivors of human trafficking at their rehabilitation home, while also operating several trafficking prevention programs for at-risk girls in rural areas.
Renzo Grande (@renzogrande) is the Creative Director of the 24 Hour Project. He is a documentary photographer who focuses on social & human rights issues. It all began in 2012, when New York-based Renzo Grande and co-founder Los Angeles-based Sam Smotherman set out with their cameras to capture and compare their two cities in a daylong series of street photos.
I first learned about the project through friend and fellow photographer AK Cespedes (@akcespedes), who regularly promoted it though her Instagram account. I would obsessively follow her virtual travels each year through the streets of Miami during the 24 hours of the project. As the hours went on and sleep came calling, she was more alert in some moments than others. Some were adrenaline-filled moments where she would walk right up to her subjects and capture them in the most intimate ways, and other times the moments were quieter and distant. Always the focus was on humanity. On the people themselves, their stories, the places where they found themselves in that moment in time. I was studying documentary filmmaking and was very drawn to this way of documenting people, places, and things.
As the date of the project approached, I began to ask her about it and, I have to admit, I was a bit scared. I knew I would probably try to tackle the project in New York City but the thought of roaming around at all hours of the night and early morning by myself, with a big camera around my neck, gave me some anxiety. I would need a partner for the project. At least one other person to help watch my back and keep me awake through it all.
I had just returned from a trip to Havana, Cuba with a friend who did just that. While I took my photos, she made sure I did not get hit by cars, she helped me chat up a few locals for their photos, and made sure I remembered to hydrate in times when I lost myself in my lens.
My friend Leticia’s Instagram Bio reads as follows:
actor. mother. artist. witch. creative. fire dragon. free hugger. puffy shirt fan. bingo rebel. nasty woman. loc rocker. nuyorican.
Many can attest to her abilities in all of those things. That was just the kind of person I needed to embark on this kind of adventure. I mentioned the project to her because I knew she was passionate about women’s issues, she loves adventure, new experiences that connect her to the world around her, and because like me, the actor in her is always up for a good story. A story with a beginning, middle, and end. This project promised to be just that. And so for for this day, she agreed to be my partner in the 24 Hour Project.
We formulated a plan to get around as many boroughs in New York City as we could. We thought up a “safe plan” to navigate the late night and early morning hours. We wanted to stay true to the project and not sleep at all for the entirety of it. Little did we know that, if we were doing it right, there would be no time at all to sleep.
The day of the project started like any other. We woke up, went to work, and did all of the things we normally do in a day. That afternoon, I drove up to Leticia’s house to meet her. As she made us a light dinner, I charged our camera batteries and packed our bags. We stood at her kitchen counter and looked at our map. The plan seemed daunting, but we were ready and thrilled to take it on. In addition to finding strangers to photograph, we had a “safe plan” that included meeting up with a few women we had heard of (through social media, brief past encounters, and friends of friends) and were really interested in documenting. It was a loose plan that might work at best, if all the other variables (like subways, traffic, weather, and our own well-being) lined up in our favor.
We were not sure what we would find out there or who we would meet. Only time and the next 24 hours would tell. The project was to begin at 12:01 A.M. on May 25, 2019. With over 4,000 photographers participating in over 100 countries, the day and the hours would be different for each of us. But as the Earth revolved around the sun, our task would remain the same — to document humanity in our little part of the world with one photo, every hour, for 24 hours.
Thankfully, Leticia’s beau offered to serve as our chauffeur during those crucial “safe plan” hours. From there, the day was a blur of car and subway rides, elevated trains, and crowded sidewalks. We traveled through Brooklyn, Bronx, Queens, Harlem, and most of Manhattan. We met women in elevators, at the park, in the subway, while walking their dogs, while going to and from work, and some were gracious enough to invite us into their homes.
We planned on dedicating one hour to each of the 24 photo subjects, but one hour just wasn’t enough. During that time, we had to find and meet up with each woman. We made small talk that went on too long because we were genuinely interested in their lives and wanted to know more. We photographed them from more than just one angle, because each one was more interesting than the next. Throw in a lack of sleep, trying to summon up the wherewithal to write a neat caption that summarized who these women were — or who I imagined them to be — editing the photos, and dealing with the fickle apps on our phones when trying to post the images to social media, all the while traveling in search of the next subject and really…an hour just wasn’t enough.
When I started my blog, I promised we would muse about people, as well as places and things. I said we would talk to plenty of strangers along the way…daring ourselves to walk in their shoes. If only for the few minutes we spent with them, I am happy we kept our promise.
There were so many more women that we met or simply admired from a distance. Plenty of photos we did not get to post and stories we did not get to tell. But I think the day truly changed us in many ways.
I was grateful to have Leticia by my side. We talked, laughed, encouraged and challenged each other. We opened ourselves up to these women, in hopes that they would return the favor. Leticia and I are both actors and became friends many years ago because of it. The day of the 24 Hour Project, was no act. Although the project went on for 24 hours, we had been awake for much longer. As the hand on the clock approached midnight, we were reaching the 40 hour mark without sleep. Trust me, you wouldn’t want to cross a nostalgic who hasn’t slept! It gets crazy.
The bus ride home from New York City, was a quiet one. We sat side by side, looking through our photos. Sometimes our gaze lingered on some images longer than others. I could tell these were the moments that affected us the most. Maybe it was the time of day, maybe it was something that was said, a moment shared between strangers, a glance, or the simple act of encountering someone we would not have under any other circumstance. It would take a few days, even weeks, to process exactly how we were touched by this project. Neither one of us ever really talked about it, but it is one of those things you just know.
To document humanity, one must be able to properly capture the universal emotions of love, sadness, joy, pain, and my personal favorite — nostalgia. We may never get to meet the women in Iran, Mexico, Peru, and Uganda who will benefit from these little snapshots of others like them around the world. But as we walked through the streets of New York we imagined a line being drawn between them and each of these New York City women that we photographed. And then another line between them and those captured by the other 4,000 photographers snapping away in one of those other 100 countries. It is a beautiful way to think about humanity. All of us connected. All of us existing, at the same time, in this big world and all the photos that will remain as memories of moments in our lives when someone took the time to stop for us.
I am grateful for this project because although it takes place in the span of only 24 hours, much like nostalgia, I feel this project transcends time and place and its purpose is really just to help us find that line that connects us to the rest of humanity.
I am also proud to report that, following the project, one of my photos was accepted into the 24 Hour Project Exhibition in New York City and will be on display at El Barrio’s Artspace PS 109 from July 23, 2019 through August 4, 2019. I am looking forward next year’s event!
Click here to learn more about the 24 Hour Project and find out how you can donate to the cause and participate in next year’s project. In the meantime, I suggest you get plenty of rest!
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